2011
02.28

Monday
Let go of negative feelings
Focus on mountain
Breathe
Same mountain

Tuesday
Declutter life
Start in kitchen with espresso machine
Work way through house tossing out
knickknacks
old sweaters
half-filled bottles of perfume

Wednesday
Contemplate white space
Notice layers of dust on countertops and shelves

Thursday
Try to be a morning person
Miss espresso machine

Friday
Stay calm at work
Boss is an idiot

Saturday
Take laughter yoga at gym
Ha Ha Ha
Boss still an idiot

Sunday
Watch less television
Cook slowly
Eat slowly
Look forward to next week
Lower expectations


© Lara Dolphin, 2011
[others]
2011
02.27

I buy notebooks, but I never fill them. It’s in me to squander their
potential.

One notebook was for drawing, but I don’t even draw. Another was for
thoughts and lies. The one I’m writing in now is just for this. When I’m
done, I’ll lose it in the produce section for someone else to find. They’ll
flip through the empty pages to find this entry. What they do with it after
is their own damn business. Maybe they’ll lose it too, like you say you lost
the taste for something you used to find delicious.

It would be my baby if it came any other way. There’s no way now. I can’t be
happy I terminated it. My culture doesn’t allow me the joy of a near miss. I
took a pill and all was forgiven.

Getting the pill was easy as buying eggs. I was given an option to buy
something that wasn’t much of a deal. I was asked to take that deal because
it was only available for a limited time. I was given a frown in case I
chose to feel bad about it later. I was given no receipt. I was pushed
gently out the door. I was asked to come again. As if I will make this
mistake again. As if I made any mistake at all. Sometimes, it’s not about
self-control. You can’t control the other self you do this with. He’s a gun
and there’s no fighting him.

He was funny, though. Even after I knew what I had to do, he made me laugh.
We joked about the funeral we’d have. We planned to gather around the toilet
and wave goodbye and sing a song. It turns out there’s not a goddamn song
for something like this.

I wish I really knew how to say this to a stranger. I don’t. That’s why I’m
writing it down. You’ll read this while you’re picking the best of the worst
apples, no soft spots. You’ll get to the end and you’ll think I’m making too
big a deal. You’ll toss this in the cake mixes and say, “Use those eggs you
bought. Make a cake and get over it.” You’ll think I don’t know what I’m
talking about.

I can’t articulate it unless I’ve been drinking, but when I’ve been
drinking, I don’t have the strength for words. I just have emotions like
strong food. A flavor stings the back of my throat and I well up like I’ve
been slicing onion after onion after onion. My best friend asks me what’s
wrong, but I tell her it’s just the tequila. It does this. It gets me into
situations.

When I flush our situation, the gun isn’t around to joke about it. I try to
think of a song. I call my tequila friend, and I ask her, but she’s eating
dinner. She says, “Can’t it wait?”

I say, “No. It’s waited too long already. It’s starting to fall apart in the
water. I think I should take a picture of it before I say goodbye.”

She says, “Oh, girl, no.”

I hang up because I know that’s it. I take a picture with my cell phone. I
delete the picture before I send it to my mother. I flush. I squander. I
turn on the tap and tilt my head for a drink.

One day you’ll come through. You’ll have been filtered out, of course, but
somehow you’ll still be right there. The flavor in my throat.


© Casey Hannan, 2011
2011
02.25

His eyes seem to want to tear up but they never go all the way when my
father talks about Dad. His father wanted him to be someone, a man, and he
would make sure of it, those were the words exactly. But my
father doesn’t take well to belts. My father hides comics inside his
textbooks.

His mother, my grandmother, knows all about these tricks. Yet she never says
a thing. She has a few words to her son, gentle words, nothing more. Yet
when he talks about his father, his voice is full of respect. He barely
mentions her. I do not understand this and it is rare that I am fearful of
him.

I am nine and a half.

My mother, on the other hand, doesn’t talk much about her grandparents at
all. She tells me only the basics and only when she needs a distraction. Her
mother is dead and her grandfather lives in a village far away from here. He
lives alone. Sometimes, time, money and weather permitting, my aunt visits
him.

When it rains we look at the map on the wall in the bedroom glued to the
wallpaper. It is the map of the world. I want a globe instead, one that
glows in the dark, but we need to save up. I trace distance with my finger
and come to the same conclusion. I soon forget all about this when I close
my eyes. With my eyes closed, I make a game of it.

My mother’s father is still with us in the winter after my parents separate.
It is raining hard when my mother tells me of his sickness. “You don’t have
to stay if you don’t want to. He just wants to see your face.” She leads me
into the room and closes the door quietly. He looks up and beckons me with
his hand. I am afraid. That it is contagious and that my mother has it.I sit
at the small stool next to him. He plays with my hair. I realise he has her
smile.

We stay in the old village for a long time. My mother cries for the first
week. One night she holds my hand firmly and apologises. The next day we
celebrate my birthday. I am eleven.


© Benjamin Imamovic, 2011
[others]
2011
02.23

My quest to support Judgmental Eyebrows and her conveniently located liquor store continued this Tuesday with my arrival being announced by the strip of bells located on the front door. This sound marks the beginning of my weekly date with myself and ricochets off of every different kind of liquid sin before it is interrupted, always interrupted, by the comment, “My best customer is back.”

I breeze past Eyebrows toward the South African wines, while mumbling something like, “That’s flattering, but let’s not get carried away with all this best customer talk.”

“Okay, Herding Cats.” And, then, after referring to me as my preferred South African Cabernet/Shiraz blend, she’ll let out a malicious little laugh that makes me want to take my business elsewhere, but not enough to actually take my business elsewhere if it means walking an additional three blocks.

“I feel like you just gave me your other one.” She murmurs to herself when I fish my Customer Loyalty Card from my wallet and we both stare at its nine puncture marks. I don’t respond to this and the three second pause gives her just enough time to vomit something else up, “You must host a lot of dinner parties.” What follows on her face is a smile that can’t really be called a smile accompanied by the raising of her extremely opinionated eyebrows.

“Yes.” I lie. Then I give her a smile that isn’t really a smile and say something that may or may not sound sincere. “You’ll have to come sometime.”

And, I do host a lot of dinner parties if one defines a dinner party as unapologetically eating half of a frozen pizza at their kitchen island while making love to a bottle of red wine and perusing a gossip magazine before moving into the living room to sort of dance to some extremely embarrassing music.

And I say, sort of dance, because let’s be honest, Lady in Red isn’t maybe the easiest song in the world to dance to. Alone. Even when I’ve had enough alcohol to think I’m highlighting for the evening as an astronaut, I’m still not comfortable rocking myself back and forth in an upright position, and yet, I am okay with staring into the mirror and accompanying Chris DeBurgh, when he ends the song by whispering, “Lady in Red, I love you.”

This is embarrassing, but it’s not a lie. Even if Judgmental Brows thinks I’m a bit of a loser, I’ve always been a pretty big fan of me and maybe even a bigger fan of a suite of completely humiliating love songs which is why, more often than not, Meatloaf’s I Would Do Anything for Love (But I Won’t Do That) follows Lady in Red. Maybe it even follows it on repeat three or four times until half an hour has passed and my voice is hoarse from screaming out, “As long as the planets are turning, as long as the stars are burning, as long as your dreams are coming true- you! Better! Believe! it!-” Mmm.. mmmm… some unintelligible mumbling follows before the crescendo, “I would do anything for love, but! I! Won’t! Do! That!” Pause. “No! No! I won’t do thaaaaaat!”

When the song ends, I lay there simultaneously blown away by all the bang you get for a buck with that song and trembling in the fetal position, contemplating how and why my voice just got that deep while wondering where the person with all the self-respect has gone. Wondering why that person has been replaced by a person that identifies with a melodramatic middle aged rocker whose chosen stage name describes ground beef, onion salt and ketchup all molded into the shape of a loaf of something that is universally unappealing to small children.

Attempts to make myself feel better fail when I YouTube the video and observe Meatloaf surrounded by a thousand candles, looking at his reflection in a medieval chalice and then staring at his female conquest like she’s a KFC Double Down. That said, 10,504,656 other people have also observed this video and 25,390 people have liked it. Make that 25,391 people after my rogue right hand grasps the computer mouse and betrays me.

Usually my mom calls on Tuesday evenings in the midst of all this horror and wants to know what I’m doing, and, usually, I lie. Sometimes, I go small: “Making lunch for tomorrow”; sometimes, I go big: “Reading Tolstoy”; almost never do I go honest: “Singing really bad rock ballads by myself into the mouth of a three quarters empty wine bottle.

“Tolstoy?” I can hear the surprise and admiration in her voice even as I silently and dramatically lip sync the words, “And some days I pray for silence, and some days I pray for soul, Some days I pray to the god of sex and drugs and rock and roll” into an almost completely empty microphone at this point. “What’s this one about?”

“Mmmm.” I make a that’s an unfortunate question face at myself in the mirror before managing  to say, “Russia.” And then, for good measure, I add, “soldiers.”

The combination of Judgmental Brows snarky remarks and my mother’s unwavering faith in my knowledge of the Russian canon results in a slight discomfort with my love of drunkenly flailing around my living room to music by myself on Tuesday evenings and I wonder, is this weird? Did I just lie to my mother because this is hedonism? And, if this is hedonism, is it the lamest form of hedonism known to mankind?

And, so, my dinner party for one starts to wind down as I search YouTube for a less embarrassing finale. Less embarrassing seems to take Chicago’s Hard to Say I’m Sorry off the table while making all 8 minutes and 57 seconds of Guns N’ Roses November Rain extremely appealing. Even if Axel is a fan of wearing a handkerchief around his head and sporting the kind of braids twelve year old girls usually end Mexican vacations with, I’m so into this song. That’s why I’m leaning forward, mouth agape, as Slash jams out in nothing but leather chaps and a top hat somewhere in New Mexico.

Before I even know it, I’m singing along, “Sometimes- I need some time on my own.  Sometimes- I need some time all alone.”

And, while I know the sentiment is wildly out of context- that pretty much sums up my Tuesday evenings perfectly.


© Erin Denver, 2011
2011
02.21

death lingers
in my  pjs.

talks to me
in my sleep.

lingers
at  midnight.

rings
in my bones.

collapses
in my  brain.

shuts out
all sound.

learns
I’m  desolate.

walks away.


© Mike Meraz, 2011
[others]