2011
04.30

I went out in the late winter
on a robin egg-blue morning

the February sun; looking
around like a blonde surfer,
surveyed the new horizon

it sniffed at us (northerners)
like a big yellow dog
a grunting sun that would
find no
flowers today

no violets in clocks
or ladders of daisies
just crusty snow and
doped up, (punchy)
pasty face earthlings

near dead as our
sooty gardens

the sun spotted me
out alone on a Sunday
hoodless
but gloved like
a hangman

the sun nudged at me
and turned me around

the sun is a patron /bully;
like is God

it hung around my neck
breathing on me like a lizard
and examining me up close
circling me slowly,

grinning
like a
shining
Mexican

I loosened the clothes I’d layered myself in
(eclosion)
like a Chrysalis. or a Luna moth

the sun said; one degree C
and it steamed off my back
& shoulders
like I was a road of black tar

I walked along and the sun walked along
and other northerners filed into a church

in their dark coats like ants
crawling into those arched
(trap) holes

I thought I smelled a Lenten Rose
in the late winter air
drooping its purple sepals; nodding its
yellow head
-shyer than a Geisha

I thought I smelled
a pasqueflower too
painted purple
like an Easter egg


© Jerry Bazinet, 2011
[others]
2011
04.26

The station is quiet. Straggling men circle the concourse, muttering about weather and god. I can smell them as they pass. Their whispers echo through the empty halls. The floors are wet with sludge tracked in from the sidewalk. Two station attendants drag mops over the dirty floor, whistling, sneaking glances at a female security guard.

A teenager occupies the space next to me on the iron bench. His face is cloaked  protection of a hood. Rolling papers and weed rest on his lap. The weed’s aromatic, much like incense, high quality and hydroponic, grown indoor. Next to the bag of weed lies an open tin foil package of cocaine. He dumps the weed into the rolling papers. Now he sprinkles the cocaine atop the weed, creating a pleasant contrast between the white cocaine, and the fluorescent green. It’s like a snowfall in spring, watching the flakes float onto a budding lawn. I remember doing that at his age. Rolling joints tainted with coke. The recollections are lucid. There were the dilated pupils, engorged in my eyeballs. My lips split red from dehydration. They bled when I smiled. This was a long time ago. I was different then.

The revolving doors leading into the concourse spin, and with each revolution, the cold travels inward from the street.

Wind blows against my face. I notice a man thin enough to be dead picking scabs from his legs and eating them. He sits on the bench, sockless; his feet are marbled blue and purple. They look as if they’ve been painted that way. Very captivating. Thank god for boredom, without it, I’d never notice the simple beauties. The station attracts outcasts at this hour. Fitting that I’d be here to share in their alienation.

I feel alive.

A deadened voice issues from the speakers.

“Train westbound to Clarkson running approximately 45 minutes late”

Another three quarters of an hour to spend here. No way out for now. I fear that if I were to go for a walk, I would be mugged, or even worse, miss my train and have to spend the night.  Public transit is inhibiting. Humiliating.

I feel like a child waiting for his mother to pick him up after school. She arrives late, I wait for an apology that never comes.

Now how will I kill time constructively?

This is a problem. I’m likely to do something dangerous when presented with periods of unregimented time.

I stand with my back to the wall when waiting for the subway. Fearful that If I were to meander near the tracks, an unseen force would compel me to jump in front of the oncoming train.

There’s an arcade in the corner of the concourse.

Arcades are ominous places. Much like casinos for the adolescent. Little caves blotted across the city, open 24 hours so the pimps can sell their fares to  drunk college kids that stopped in for a go at “dance, dance revolution”. And then of course there are the attendants. Criminal types, aspiring carnival workers, underachieving even for their demographic. They issue tokens for the machines to the children while disapprovingly eying them over. I never feel safe in an arcade.  In fact, a child was knifed to death in the one on my block two weeks ago. Stabbed in the back while playing air hockey.

Whenever I’m alone for more than an hour, my mind begins to dance away from the present.

I’ve always found the station overwhelming.

The ceilings are vaulted. They make me feel tiny and unseen. Shadows inhabit the hallways. Even in the daytime the station is dark.  So many people have rushed through down these corridors. Many of them long dead.

I will be stuck in this station forever.

Every time I reached into my wallet to buy drugs, I was met with the face of my son in Santa’s lap. His eyes gleaming at me from the photograph, as if to say, “why?”

I walk into the bathroom, wrenching my shirt collar up above my nose as I pull open the door. The tiled floors are sticky with urine. It smells fermented. An empty can of beer crushes underfoot as I sidle up to a urinal. I notice a man approach the urinal to my immediate left and unzip his pants. Strange that he would choose this one, as there a 6 to either side of me. I try to dismiss it. But I notice him glancing towards my crotch. Something about this excites me so I ignore him. He empties his bladder fast and leaves the bathroom.  The walls of the bathroom are vandalized. All the stall doors are open, as if to showcase the dirty toilets. I take a moment of observe the ugliness of the place before leaving.

I remember waiting in the station as child. My mother gripped my hand determinedly, scolding me if I were to wander a foot from her side. She told me children were abducted here, taken back into the bathrooms and molested. I didn’t know the meaning of that word, molested. But it sounded menacing.

How does one divorce fear from reality?

Why can’t I combat paranoia when I’m alone?

“Attention westbound passengers to Clarkson, your train will be arriving in approximately 25 minutes, on track 3”

The track is barren. All that can be heard are sign poles bending in the wind. I’m alone on the platform, and I find this comforting. No one can hear me think aloud, or judge the way I look, or attempt small talk. This is perfect, meditative, I feel confident. There is nothing more comforting than the idea of absolute isolation. It is only through solitude that I’ve grown accepting of my sicknesses.  For a moment I feel liberated.

A group of kids charges up the stairs. My first thought is to hurt them, to repel them by means of violence. Why did they come?  They smell of liquor, cheap vodka, as if they’ve just bathed in rubbing alcohol. I walk away, 30 feet down the track, and move into a shelter.

Time is my enemy. It is an adversary. I’ve been pitted against time, floating along my lifeline towards a final day, but never knowing when that final day will come. It’s a cruel truth we all have to live with, the ambiguity of “fate”.

I can still hear the kids. One of them bellows something about whores, about how he hates women. Liquor breeds misogyny. I’ve watched it happen hundreds of times, with my friends, and myself, with my family.

The train pulls into the station. Grinding shrilly along the tracks like a blade along the sidewalk. The doors open, passengers disembark and walk past me, eyes fixed on the ground as if they’re looking for something they just dropped.

The doors chime and close. And I watch the train travel westward towards my home.  I have found something in the station, what it is I don’t know. But I don’t feel ready to leave just yet.


© Nils Blondon, 2011
2011
04.24

after it
happened

everyone
came by
not knowing
themselves

what they
hoped
would happen.

“who is it?”

“it’s me,
i’m here to talk
to you.”

“no thank
you.”

they were holding
their breath
and would then

let it out.

“well, i just came by–”

“to talk to me, yes.
thank you.”

“all right, then.”

“goodbye.”

the sound
of their footsteps
fading

was better
than music
or words.

as i turned
for the tenth time
that day
from the door

i could
still remember

and perfectly
her laughter
at people’s

blunders
of the soul.

“i prefer
indifference,”
she said
in the hospital.

“less seems
to have
changed.”

© Anton Frost, 2011

after it

happened

everyone

came by

not knowing

themselves

what they

hoped

would happen.

“who is it?”

“it’s me,

i’m here to talk

to you.”

“no thank

you.”

they were holding

their breath

and would then

let it out.

“well, i just came by–”

“to talk to me, yes.

thank you.”

“all right, then.”

“goodbye.”

the sound

of their footsteps

fading

was better

than music

or words.

as i turned

for the tenth time

that day

from the door

i could

still remember

and perfectly

her laughter

at people’s

blunders

of the soul.

“i prefer

indifference,”

she said

in the hospital.

“less seems

to have

changed.”

2011
04.23

I imagine it
Is a flickering
harvest-yellow,

but maybe your
hair is on fire
from falling alseep
on the loveseat
with that cigarette
dangling from your
mouth,

You ask me if
we have any more
cantaloupe and I
give you a piece
and you eat it,
chewing slowly
on the rind,

You have crazy dreams,
You tell me
you were General
Custer and were talking
with Sitting Bull,

you said
you both came to
an understanding,

you shook hands,
and walked
in different directions,
when you looked
back, Sitting Bull
was throwing
dove feathers
into the wind,
his aura the
color of a pearl
from the south sea




© Melanie Browne, 2011
[others]
2011
04.20

I say, “He was a nice guy,” and watch the fair skinned jolly man slip into his car and drive.
From the kitchen, Mom says, “That was your dad.”

I look out the living room window. We live on the second floor of a paint-chipped, drooping two-family house. Our living room is filled with ashtrays, bongs, and guitar picks. Incomplete charcoal sketches of horses and women line the coffee table. Black and gray film canisters overflow from the brown couch cushions. Mom manages to take many photos, though she rarely has them developed.

The hazy afternoon casts everything in a shade of wheat colored light. Mom is in the kitchen. She is cleaning, throwing everything from dog poop to rotten food into garbage bags. She piles our front porch with overstuffed black bags that are never hauled down the steps.      I stand before the window, pressing my nose to hot glass. Sun is pouring into the living room. I look to the floor. The brown carpeting shows signs of our life—dog stains, spilled coffee, red wine; burn marks from forgotten cigarettes.

My lips touch the window glass. I make wet sloppy noises, not exactly kissing the glass, rather talking to the glass. My lips spread and mouth the words: I have a father. I pull my lips away to see how my spit smears onto the glass; it looks brown from the chocolate milk I gulped down at lunch.

I am seven. Until now, I never had a father. From the moment I emerged, Mom was all that I knew. How can you miss something you never had? Still, the notion of having a father sounds dreamy and warm. There is something so normal about it, for the first time, I can say with confidence I really do have a father. I look forward to sharing this news with my first-grade teacher, Mrs. Milinsky. She will smile at me, and then reach for my chin, and say something kind. This, too, makes me feel light and free.

I hear Mom swearing at the messes she is cleaning up: “How long has this pasta been in here?” and then, “Why do I always deal with this shit?”

I push closer to the glass. I curl my fingertips around the top of the window frame. I push the window open. I feel air rush in; makes my T-shirt flutter around my stomach. I feel dizzy. I have a dad. When I say the words, I have a dad, it sounds elegant and powerful.


Tommy Ward took us to New Haven. We listened to a Jazz band play at a large, busy park. It was spring. The sun was bright and low. The saxophone made my ears pop. Women tiptoed barefoot across sharp, taut grass, wearing strappy sundresses. Little shirtless boys rolled down hills. We threw out a blanket; I sat in between Mom’s parted legs. Tommy pointed to things: Birds, sparklers, a juggling clown. I smiled at his gestures; I pushed closer to Mom. She did not talk with her hands like she usually did. Instead, spoke in a low, plain voice. She sat still and erect as I moved closer and closer. By the end of the afternoon, I was curled in her lap, my back pressed against her lean stomach.

We stopped at a diner before heading back home. I ordered what I wanted: A tuna fish sandwich and a tall glass of chocolate milk. I was shocked that Mom did not shake her head no to this as both sugar and fish were not approved among Mom’s circle of friends—we were vegetarians and limited our sugar intake. But she said nothing as our server scribbled my request. I kicked my feet. I stared across the booth at Tommy Ward. He had an easy smile and winked a lot. Once my food arrived, I ate my toasted tuna sandwich.

Something about happy Tommy Ward inspired her to watch me. She smiled when I blew bubbles in my chocolate milk. We sat side by side in the booth; she kept one hand on my knee.

Walking backwards, I drift from the window.  I slip into our pea green kitchen glowing with yellow light, yellow curtains, and yellow table napkins. The front porch door is open. I spot a mess: one plastic bag busted, a mound of old wet spaghetti spilled.

I hold my breath. I look at Mom as she throws another bag on to the porch. Her eyebrows are pushed together. She is busy and serious and I think she never wants never to talk about Tommy Ward again. This does not stop my mouth from shaping the words: I have a father.

© Aimee Anderson, 2011